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Thursday, July 29, 2010

Kirk Hammett


Birth name Kirk Lee Hammett
Born November 18, 1962 (1962-11-18) (age 47)
San Francisco, California, USA
Genres Thrash metal, speed metal, heavy metal, hard rock
Occupations Musician, songwriter
Instruments Guitar, bass,
Years active 1979–present
Labels Warner Bros., Elektra, Vertigo, Megaforce
Associated acts Metallica, Exodus, Spastik Children
Website Metallica Website


Kirk Lee Hammett (born November 18, 1962) is the lead guitarist and a songwriter in the band Metallica and has been a member of the band since 1983. Before joining Metallica he formed and named the band Exodus. In 2003 Kirk Hammett was ranked 11th in Rolling Stone's list - The 100 Greatest Guitarists of All Time.
Born on November 18, 1962 in San Francisco to a Filipina mother (Chefela) and an Irish Merchant Marine father. Kirk Hammett attended De Anza High School in Richmond, California.

After picking up a 1978 Fender Stratocaster copy, Hammett attempted to customize his sound with various guitar parts, eventually falling for a 1974 Gibson Flying V. Hammett also took a job at Burger King as a youth before quitting once he saved enough money for his Marshall amplifier.

Hammett's musical interests eventually drew him into the fledgling thrash metal genre. In 1980, he formed the group Exodus with vocalist Paul Baloff, guitarist Gary Holt, bassist Geoff Andrews, and drummer Tom Hunting. He played on Exodus' 1982 Demo. Exodus was a crucial early player in the Bay Area thrash movement.

Hammett was invited to join Metallica following the dismissal of the band's original lead guitarist Dave Mustaine in 1983. This was prior to the recording of Kill 'Em All. At the time Hammett was taking private guitar lessons from the now-famous Joe Satriani.Hammett has written and contributed riffs for Metallica songs since the mid-1980s (particularly in the 1990s during the Load era). One of these riffs, used in "Enter Sandman" became one of Metallica's most popular songs. It was the first track and first single on Metallica's self-titled Black Album and was ranked 399th on Rolling Stone's list of the greatest songs of all time.

The bridge for "Creeping Death" was originally an Exodus riff that Hammett took with him to Metallica.

Hammett is also known for always having his picking hand taped up. During the course of a full tour, due to constantly palm muting and fast picking, the palm of his hand takes sizable abuse.

Hammett's playing style is noted for his extensive use of the wah-wah pedal in his solos. Hammett says "The wah-wah is an extension of my personality." Hammett's use of the wah-pedal hadn't been featured in recent Metallica solos, but has seen a resurgence in his solos on the newest album, Death Magnetic.

Hammett initially wanted to have guitar solos on Metallica's 2003 album, St. Anger, but drummer Lars Ulrich and producer Bob Rock thought that the solos did not sound right in the songs. He later admitted himself, "We tried to put in solos but they sounded like an afterthought so we left them out".

On April 4, 2009, Kirk, along with Metallica bandmates Lars Ulrich, James Hetfield, and Robert Trujillo and former Metallica bandmates Jason Newsted and the late Cliff Burton, were inducted into the Rock And Roll Hall Of Fame. In 2009 Hammett supplied the foreword to British author Joel McIver's book To Live Is To Die: The Life And Death Of Metallica's Cliff Burton.

" Fade To Black "
P - pull off.
H - hammer on.
T - tap - fret at note shown, tap at note in brackets.
.---. - sustained note.
sl - slide.
vibrato - vibrate string.
)\ - bend and release
/ \
) - string bend
/
// - repeat previous beat (used for 1/16 notes)
'/, - repeat previous measure
x - rake strings
P.M.---- palm mute
Trill-Very rapid alternate between the two notes indicated by hammering and pulling off.

Bm(flat 6) Bm/A Bm(flat 6) A/C#

Rhy. Fig 1 (acoustic guitar) end Rhy Fig 1

let ring------------------------]
e |----------------|---------------|---------------|---------------|
B |----------------|---------------|---------------|---------------|
G |-----0----------|----0----------|----0----------|----2----------|
D |---4---4---4---4|--4---4---4---4|--4---4---4---4|--2---2---2---2|
A |-2-------2---5--|0-------0---5--|2-------2---5--|4-------4---0--|
E |----------------|---------------|---------------|---------------|

(Kirk Hammet)Electric Guitar w/dis. comes in on the second time
while RHY FIG 1 continues to play

.--------------.
sl sl vibrato ' P P sl H P `
e |-----]---------------|---------------|------------------------------I
B |---7-]-7-8-/10--8--10|-12--10--8--10^^^^^--12--10--8\7--8--7-------I
G |- 7--]---------------|---------------|-------------------------9----I
D |/9---]9--------------|---------------|------------------------------I
A |-----]---------------|---------------|------------------------------I
E |-----]---------------|---------------|------------------------------I

H .---. sl P sl vibrato
e |---------------------|-------------|----------|----------------|-----------|
B |-7--8--7-----7-------|-------------|---------8|-7------------8/|10^^^^^^^^-|
G |----------9-----9--7-|-----------7\|6--7--6---|----------------|-----------|
D |---------------------|7--9--(9)\---|----------|----------------|-----------|
A |---------------------|-------------|----------|----------------|-----------|
E |---------------------|-------------|----------|----------------|-----------|


The fast part---------------------------------------- full )\
P / \ vibrato
e |-----14-|19--14----------15--14-----------------------------|--------------|
B |-15-----|--------15--------------15------17--15--14---------|--------------|
G |--------|------------16--------------14--------------16--14-|(14)^^^^^^^^--|
D |--------|---------------------------------------------------|--------------|
A |--------|---------------------------------------------------|--------------|
E |--------|---------------------------------------------------|--------------|


H vibrato H H P H
e |----------------------------|---------------------------------------|------|
B |----------------------------|--------14--15--14--15--14------14--15-|14----|
G |-14--16---------------------|14--16----------------------16---------|------|
D |---------14^^^^^^^^--14--16-|---------------------------------------|------|
A |----------------------------|---------------------------------------|------|
E |----------------------------|---------------------------------------|------|


vibrato
e |-19--17---15---15---17-|14------------------14--15-|14----------14--15-----|
B |-----------------------|----15---------------------|----15-----------------|
G |-----------------------|--------16^^^^^^^^---------|--------14-------------|
D |-----------------------|---------------------------|-----------------------|
A |-----------------------|---------------------------|-----------------------|
E |-----------------------|---------------------------|-----------------------|

Trill Kirk plays this part ending the solo
e |-14------17--15-|14-15--|---------------|---------------|------------12--13--|
B |-----16---------|-------|---------------|---------------|12--13--15----------|
G |----------------|-------|---------------|--------12--14-|--------------------|
D |----------------|-------|------------12-|14--15---------|--------------------|
A |----------------|-------|12--14--15-----|---------------|--------------------|
E |----------------|-------|---------------|---------------|--------------------|


H P
e |-15--13--15--13-----||
B |-----------------15-||
G |--------------------||
D |--------------------||
A |--------------------||
E |--------------------||

James plays this part to accompany the end of Kirks solo (right before verse riff hits)

e I-----------------------I---------------------------I
b I-----------------------I----------------0-------3--I
g I-----------------------I------1--------1-----------I
D I---------0-------2-----I----2--------2-------------I
g I-------3-------2---2---I--2--------2---------------I
E I-----1-----1-4---------I---------------------------I


This is the nice verse riff that James plays throughtout the majority of song
(Rhy. Fig 2)
H H H
e| -------------0-------------|-----------0-------------|-----------3-----3--3|
B|.-0--1--------------------1-|(1)--1-----------------0-|(0)--3---------------|
G| -2-----2-----------0--2----|-0---------------0--2----|-0---------------2--0|
D|.-2--------2-----2----------|-2------2-----2----------|--------0-----0------|
A| -0-------------------------|-3-----------------------|---------------------|
E| ---------------------------|-------------------------|-3-------------------|



sl H H H |
e |-------------------|-------------0--------------|-----------0--------------|
B |----------0--(1)/3-|-0--1---------------------1-|(1)--1-----------------0--|
G |-0--------0--(2)/4-|-2-----2------------0--2----|-0---------------0--2-----|
D |----2--------------|-2--------2-----2-----------|-2------2-----2-----------|
A |-------2-----------|-0--------------------------|-3------------------------|
E |-0-----------------|----------------------------|--------------------------|

H P sl
e |------------3--------------|-0---------------------- ||
B |-(0)--3--------------------|-0-----------0--(1)/3---.||
G |--0---------------0-2-0--0-|-0-----------0--(2)/4--- ||
D |---------0-----0-----------|-2-----2----------------.||
A |---------------------------|----------2------------- ||
E |--3------------------------|----0------------------- ||



KIRK plays on the second time while James plays verse riff right before "Life it seems.... Must listen carefully.
Am C G
H T T T
e| -17------------------------|-------------------------|---------------12----|
B|.------------------0--1-----|-------------------------|3(15)----------------|
G| -2-------------------------|-0-----------------4(16)-|---------------------|
D|.---------------------------|----------------5(17)----|---------------------|
A| ---------------------------|-------------------------|---------------------|
E| ---------------------------|-------------------------|---------------------|



Em Am C
T T
e |-10----------------|----------------------------|--------------------------|
B |--8----------------|--------------------------1-|--------------------------|
G |--9----------------|-2--------------------------|-0------------------4(16)-|
D |-------------------|----------------------------|-----------------5(17)----|
A |-------------------|----------------------------|--------------------------|
E |-------------------|----------------------------|--------------------------|





G Em
T T T
e |---------------------------|-3(15)------------------ ||
B |-3(15)----------------5(17)|------------------------.||
G |---------------------------|------------------------ ||
D |---------------------------|------------------------.||
A |---------------------------|------------------------ ||
E |---------------------------|------------------------ ||





FILL 2 FILL 3
e |------------3----------| |-------|
B |-(0)--3-----------3----| |-------|
G |--0------------------2-| |-0-----|
D |---------0-----0-------| |-------|
A |-----------------------| |-------|
E |--3--------------------| |-3-----|


1st,2nd verses
w/Rhy. Fig. 2 (verse riff)

Am C G Em

1. Life it seems will fade away, drifting further every day.
2. Things not what they used to be, missing one inside of me.


Am C G Em

1. Getting lost within myself, nothing matters, no one else.
2. Deathly lost, this can't be real, I cannot stand this hell I feel.


W/Rhy. Fig 2 (1st 7 bars only)
Am C G Em

1. I have lost the will to live, simply nothing more to give.
2. Emptiness is filling me, to the point of agony.


Am C G

1. There is nothing more for me. Need the end to set__
2. Growing darkness taking dawn, I was me, but now__


w/Fill 3

|
1.|__me free
2.|__ he's gone.....
| P.M.-----I P.M.------I
e |------------------------|| --------------------|---------------------|
B |-5--5--5--5--5--5--5--5-||.--------------------|---------------------|
G |-5--5--5--5--5--5--5--5-|| -2--2-2-------------|-5--5-5--------------|
D |-2--2--2--2--2--2--2--2-||.-2--2-2-------------|-5--5-5--------------|
A |------------------------|| -0--0-0--0--2--3--5-|-3--3-3--0--2--3--5--|
E |-0--0--0--0--0--0--0--0-|| --------------------|---------------------|


P.M.-------I P.M.-------I
e |------------|--------------|---------------------|-------------------|
B |------------|--------------|---------------------|-------------------|
G |-2--2-2---7-|-9--9-9-9-----|-2--2--2-------------|-5--5--5-----------|
D |-2--2-2---7-|-9--9-9-9-----|-2--2--2-------------|-5--5--5-----------|
A |-0--0-0---5-|-7--7-7-7-----|-0--0--0--0--2--3--5-|-3--3--3-0--2--3--5|
E |------------|--------------|---------------------|-------------------|



e |------------------- ||
B |-------------------.||
G |-2--2--2---7--5--4--||
D |-2--2--2---7--5--4-.||
A |-0--0--0---5--3--2- ||
E |------------------- ||




Interlude KIRK plays this part over verse riff
w/Rhy. Fig. 2
Am C G
sl sl
e |------------------|-------------------------|-----------------|
Gtr 1 B |-10^^^^^^--10--12-|-13^^^^^^--13/15--13--12-|-----------------|
Gtr 2 G |--9^^^^^^---9--11-|-12^^^^^^--12/14--12--11-|-12^^^^^^--12/14-|
D |------------------|-------------------------|-12^^^^^^--12/14-|
A |------------------|-------------------------|-----------------|
E |------------------|-------------------------|-----------------|

Em Am C full )\
sl sl sl / \
e |----------------------|---------------------|-------------------------|
B |----------------------|------------------12-|-13^^^^^^--15------13----|
G |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14--11-|-12^^^^^^--14------12----|
D |-9^^^^^^--9/11--11/12-|-12/14^^^^^^--14-----|-------------------------|
A |----------------------|---------------------|-------------------------|
E |----------------------|---------------------|-------------------------|

full (Gtr I + II)
G ) ) ) )\
/ / / / \
e |----------------|----------------------|
B |-15--15--15--15-|-(15)^^^^^^-----------|
G |-14--14--14--14-|-(14)^^^^^^-----------|
D |----------------|----------------------|
A |----------------|----------------------|
E |----------------|----------------------|


Rhy. Fig. 3 (James plays twice by himself than doubled by Kirk)


D5 E5 D5 E5 G5 F#5 D5
sl sl
e |-----------|----------------|----------------------------------------------|
B |-----------|----------------|----------------------------------------------|
G |-7/9--9--9-|-7--9--9/12--11-|-7--7--7-------------------------------------4|
D |-7/9--9--9-|-7--9--9/12--11-|-7--7--7--9--9--9--7--7--7--5--5--5--4--4--4--|
A |-5/7--7--7-|-5--7--7/10---9-|-5--5--5--------------------------------------|
E |-----------|----------------|----------------------------------------------|


D5 E5 D5 E5 G5 F#5 D5
sl sl
e |-----------|----------------|----------------------------------------------|
B |-----------|----------------|----------------------------------------------|
G |-7/9--9--9-|-7--9--9/12--11-|-7--7--7--------------------------------------|
D |-7/9--9--9-|-7--9--9/12--11-|-7--7--7--9--9--9--7--7--7--5--5--5--4--4--4-5|
A |-5/7--7--7-|-5--7--7/10---9-|-5--5--5--------------------------------------|
E |-----------|----------------|----------------------------------------------|


Bridge
w/Rhy. Fig. 3

D5 E5 D5 E5 G5 F#5 D5

1. No one but me can save myself but it's too late
2. Yesterday seems as though it never existed

D5 E5 D5 E5 G5 F#5 D5

1. Now I can't think, think why I should even try.
2. Death greats me warm, now I will just say goodbye.

Goodbye Goodbye

w/Rhy. Fig. 3
D5 E5 D5 E5 G5 F#5 D5
sl sl
e |-----------------|----------------------|-----------------------|
Gtr I B |-7/8--9--8^^^^^^-|-7/8--8--12--10^^^^^^-|-7--7-----------12--12-|
G |-----------------|----------------------|-------7^^^^^^---------|
Gtr II D |-7/9--9--9^^^^^^-|-7/9--9--12--11^^^^^^-|-7--7--7^^^^^^--12--12-|
A |-----------------|----------------------|-----------------------|
E |-----------------|----------------------|-----------------------|


N.C. (no chord) D5 E5 D5 E5 G5 F#5
sl sl
e |-------------------------------------|-----------------|-------------------|
B |-12--10--10--10--8--8--8--7--7--7----|-7/8--8--8^^^^^^-|-7/8--8--12--10^^^^|
G |-------------------------------------|-----------------|-------------------|
D |-12--11--11--11--9--9--9--7--7--7--9-|-7/9--9--9^^^^^^-|-7/9--9--12--10^^^^|
A |-------------------------------------|-----------------|-------------------|
E |-------------------------------------|-----------------|-------------------|


D5 N.C.

e |------------------------|-----------------------------------------||
B |-------------------7--7-|-7----5--5--5----3--3--3----2--2--2----3-||
Gtr I G |-11--11--11^^^^^^--7--7-|-7----6--6--6----4--4--4----2--2--2----4-||
Gtr II D |--7---7---8^^^^^^-------|-----------------------------------------||
Gtr II A |--9---9---9^^^^^^-------|-----------------------------------------||
E |------------------------|-----------------------------------------||



THIS IS THE very last PART THAT JAMES SAYS a fading "GOODBYE....GOODBYE" esp when performed in concert. On the Ride the LIghtnight album he says it once "GOODBYE"

N.C. E5 N.C. G5 F#5 N.C. D

e | ------------------|--------------------|----------------------------------|
B |.------------------|--------------------|-------------7--------------------|
G | -------------9--9-|-------------12--11-|-------------7--------------------|
D |.-------------9--9-|-------------12--11-|-------------7--------------------|
A | -------------7--7-|-------------10---9-|-------------5--9--9--9--7--7--7--|
E | -0--0--0--0-------|-0--0--0--0---------|-0--0--0--0-----------------------|




e |----------------------------------- ||
B |-----------------------------------.||
G |--------------------------------4-- ||
D |-9--7--7--7--5--5--5--4--4--4--(5)-.||
A |----------------------------------- ||
E |----------------------------------- ||


Rhy. Fig. 4
Two Gtrs. Gtr II to left of !
Riff A Gtr I A5
sl sl
e |--------------|--------------------------|------------|--------------------|
B |--------------|--------------------------|------------|--------------------|
G |--------------|--------------------------|------------|--------------------|
D |------/4--2!5-|-(2/5)--4--2--------------|----/4--2!5-|-(2!5)--4--2--------|
A |-2!5----------|--------5--4--2!5--4------|-4----------|--------5--4--2/5---|
E |--------------|-------------------5--2!5-|-5----------|--------------------|

G5 A5
sl sl
e |--------|------------|--------------------------|------------|
B |--------|------------|--------------------------|------------|
G |--------|------------|--------------------------|------------|
D |--------|----/4--2!5-|-(2!5)--4--2--------------|----/4--2!5-|
A |-4------|-2----------|--------5--4--2!5--4------|-4----------|
E |-5--2/5-|-3----------|-------------------5--2!5-|-5----------|


w/Rhy. Fig. 4 & Riff A (till fade)
B5 ) ) ) ) <- all full
lead gtr. sl / / / /
e |----------------------||-------|-------------------------------|-----------|
B |----------------------||-------|-------------------------------|-----------|
G |----------------------||-------|-----------------7--9--9--9--9-|-----------|
D |-(2!5)--7--5--4--2--4-||-------|----------/9--9----------------|-----------|
A |--------5--4--2-------||-------|-------------------------------|-----------|
E |-----------------5--2-||-------|-------------------------------|-----------|

)\ full G5
/ \ P H H P H H
e |----------------------------|------------------------------|---------------|
B |--------------------------7-|-7--8--7--8--7-----7--8--7----|-7--8--7----10-|
G |-(9)--9--(9)--7--9--9--9----|----------------7-----------7-|----------7----|
D |----------------------------|------------------------------|---------------|
A |----------------------------|------------------------------|---------------|
E |----------------------------|------------------------------|---------------|

B5
sl H
e |-----------|-----------------------|-------------------|-------------------|
B |-10--8--10/|12--10--8--8--10--8--7-|-8--10-----8-------|-------------------|
G |-----------|-----------------------|--------9-----9--7-|-------------7--9--|
D |-----------|-----------------------|-------------------|-7--9--9--9--------|
A |-----------|-----------------------|-------------------|-------------------|
E |-----------|-----------------------|-------------------|-------------------|

A5
)\ full ) f ) f ) f ) f
/ \ / P / P / P / P
e |-----------------------------|----7----------7---------7-------------------|
B |-----------------------------|------10-7-------10-7------10-7-----7--10-7--|
G |-9--(9)--7--9--7--7-----7--9-|-9----------9----------9---------9-----------|
D |---------------------9-------|---------------------------------------------|
A |-----------------------------|---------------------------------------------|
E |-----------------------------|---------------------------------------------|


)f )f )f )f
/ P / P / P / P P P
e |-----------------7-----------7-----------7-|-10-7------7--10-7--10-7-------|
B |----7--10--7--------10-7--------10-7-------|-------10-----------------10---|
G |-9------------9-----------9-----------9----|-------------------------------|
D |-------------------------------------------|-------------------------------|
A |-------------------------------------------|-------------------------------|
E |-------------------------------------------|-------------------------------|



P P P P P P P
e |-7--10-7--10-7------7-|-10-7------7--10-7--10-7------7--10-7--10-7------7--|
B |----------------10----|-------10-----------------10-----------------10-----|
G |----------------------|----------------------------------------------------|
D |----------------------|----------------------------------------------------|
A |----------------------|----------------------------------------------------|
E |----------------------|----------------------------------------------------|


)f )f
/ /
e |-10--10--10--8--7--8--7-----|-7--------------------------------------------|
B |-------------------------10-|----10--8--10--8--7--8--7-----7---------------|
G |----------------------------|---------------------------9-----9--7---------|
D |----------------------------|----------------------------------------------|
A |----------------------------|----------------------------------------------|
E |----------------------------|----------------------------------------------|


B5 A5
P P
e |---------------------|-------7----------------|----------------------------|
B |----------8--7-----7-|-8-10----10--8--7-------|----------8--7-----7--------|
G |----------------9----|-------------------9--7-|----------------9-----------|
D |-7--9--9-------------|------------------------|-7--9--9--------------------|
A |---------------------|------------------------|----------------------------|
E |---------------------|------------------------|----------------------------|


G5

e |--------7--8--7^^^^^^--7--8-|-10--8--7--8--7------7------------------------|
B |-8--10----------------------|-----------------10-----10--8--10--8--7-------|
G |----------------------------|----------------------------------------------|
D |----------------------------|----------------------------------------------|
A |----------------------------|----------------------------------------------|
E |----------------------------|----------------------------------------------|


A5

e |------------------------------------|--------------------------7-----------|
B |-8--7-----7-------------------------|----------------7--8--10-----10--8--7-|
G |-------9-----9--7--9--7--6--7--6----|-------6--7--9------------------------|
D |----------------------------------9-|-7--9---------------------------------|
A |------------------------------------|--------------------------------------|
E |------------------------------------|--------------------------------------|


)f )f )f )f
P / / / /
e |--------------------7--------------------|------------|
B |-8--7-----7--8--10-----10--8--7--8--7--9-|------------|
G |-------9---------------------------------|-9--9--9--9-|
D |-----------------------------------------|------------|
A |-----------------------------------------|------------|
E |-----------------------------------------|------------|

full 3/4 1/2 1/4
)----------------------............_____ A5
/ (gradual release) ----. P
e |------------------------------------------------------|----------10--10--10|
B |------------------------------------------------------|-----------7---7---7|
G |-9--9--9--9---9--9--9--9--9---9--9--9--9--9---9--7----|-7---------7---7---7|
D |----------------------------------------------------9-|----x--x------------|
A |------------------------------------------------------|----x--x------------|
E |------------------------------------------------------|--------------------|


)f )f )f
/ / / P
e |----------10--10--10-------|-10--10--10---------|--------------------------|
B |-----------7---7---7-------|--7---7---7--10--10-|-10^^^^^^--10-7-----7--8--|
G |-----------7---7---7-------|--7---7---7---------|-----------------9--------|
D |-x--x--x--------------x--x-|--------------------|--------------------------|
A |-x--x--x--------------x--x-|--------------------|--------------------------|
E |---------------------------|--------------------|--------------------------|


A5
H P
e |---------------------------------|-----------------------------------------|
B |-7--8--7-------------------------|-----------------------------------------|
G |----------9--7-----7^^^^^^-----7-|-9--7-----7------------------------------|
D |----------------9-----------9----|-------9-----9--7--9--7-----7------------|
A |---------------------------------|-------------------------9-----9--7------|
E |---------------------------------|-----------------------------------------|

B5

sl P P P
e |--------------------------------------|-15--12------12--15--12--14--12-----|
B |-----------------------------------12-|---------12----------------------12-|
G |--------------------------------------|------------------------------------|
D |--------------------------------------|------------------------------------|
A |-9--7--5--7--5-----5--5--5--5--7/-----|------------------------------------|
E |----------------7---------------------|------------------------------------|




P P P P P
e |-12--15--12--14--12------12-|-15--12------12--15--12--14--12------12--15---|
B |---------------------12-----|---------12----------------------12-----------|
G |----------------------------|----------------------------------------------|
D |----------------------------|----------------------------------------------|
A |----------------------------|----------------------------------------------|
E |----------------------------|----------------------------------------------|


A5
P P P
e |-12--14--12------12-|-17--14------14--------------------|------------------|
B |-------------12-----|---------15------------------------|--------, -------|
G |--------------------|-------------------//----//----//--|-------- / -------|
D |--------------------|-----------------------------------|-------- '-------|
A |--------------------|-----------------------------------|------------------|
E |--------------------|-----------------------------------|------------------|


G5
P P P P P
e |-19--15------15--19--15--17--15------15--19--15--17--15------15-|
B |---------17----------------------17----------------------17-----|
G |----------------------------------------------------------------|
D |----------------------------------------------------------------|
A |----------------------------------------------------------------|
E |----------------------------------------------------------------|



P P P P P
e |-19--15------15--19--15--17--15------15--19--15--17--15------15-|
B |---------17----------------------17----------------------17-----|
G |----------------------------------------------------------------|
D |----------------------------------------------------------------|
A |----------------------------------------------------------------|
E |----------------------------------------------------------------|


A5 B5 )f )f )f )f
P / / / /
e |-21--17------17-------------------|---------------|--22--22--22--22--|
B |---------19-----------------------|------, ------|------------------|
G |------------------//----//----//--|------ / ------|------------------|
D |----------------------------------|------ '------|------------------|
A |----------------------------------|---------------|------------------|
E |----------------------------------|---------------|------------------|

A5
)f )f )f )f )\ f
/ / / / / \
e |-22--22--22--22^^^^^^--22--(22)--19-|-22--20--19--20--19--17--19--17--15---|
B |------------------------------------|--------------------------------------|
G |------------------------------------|--------------------------------------|
D |------------------------------------|--------------------------------------|
A |------------------------------------|--------------------------------------|
E |------------------------------------|--------------------------------------|


G5

e |-17--15--14-|-15--14--12--14--12--10--12--10--9--10--9--7-|-9--7------7----|
B |------------|---------------------------------------------|-------10-----10|
G |------------|---------------------------------------------|----------------|
D |------------|---------------------------------------------|----------------|
A |------------|---------------------------------------------|----------------|
E |------------|---------------------------------------------|----------------|


)f )---... f )f
/ / \ /
e |----------------------|------------------|---------------------------|
B |-8--10--8--7--8--7----|-7-----7--7--7--7-|---------------------7--7--|
G |--------------------9-|----9-------------|-9---9--(9)--(9)--9--------|
D |----------------------|------------------|-----/---/-----------------|
A |----------------------|------------------|-----/---/-----------------|
E |----------------------|------------------|---------------------------|


B5
)f )\ f )\ f )\ f )f )f
/ / \ P / \ P / \ P / /
e |-----7---------------------------|-----------------------------------------|
B |-10-----10--(10)--7--------------|-10--(10)--7--10--(10)--7--10--10--10--10|
G |----------------------//----//---|-----------------------------------------|
D |---------------------------------|-----------------------------------------|
A |---------------------------------|-----------------------------------------|
E |---------------------------------|-----------------------------------------|


A5
P P P P
e |-10--7----------------------------------------------|----------------------|
B |--------10--7------7--10--7-------------------------|----------------------|
G |---------------10------------9--7-----7--9--7-----7-|----------------------|
D |-----------------------------------9-----------9----|-7--7--9--7-----------|
A |----------------------------------------------------|-------------9--8--7--|
E |----------------------------------------------------|----------------------|


G5
sl sl P
e |--------------------|----------------------------------------------12--15--|
B |--------------------|--------------11--12--13--12------12--14--15----------|
G |--------------------|-7--9--11/14------------------14----------------------|
D |---------------7--9-|------------------------------------------------------|
A |-5-----5--7/9-------|------------------------------------------------------|
E |----7---------------|------------------------------------------------------|



P P P P P
e |-(15)--12------12--15--12--15--12------12--15--12--15--12------12-|
B |-----------15----------------------15----------------------15-----|
G |------------------------------------------------------------------|
D |------------------------------------------------------------------|
A |------------------------------------------------------------------|
E |------------------------------------------------------------------|


A5
)f )f )f )f fade out.
/ / / /
e |-----------------------------||
B |-15--15--15--15--------------||
G |-14--14--14--14--------------||
D |-----------------------------||
A |-----------------------------||
E |-----------------------------||............yup

Sunday, July 25, 2010

Matthew Bellamy


Birth name Matthew James Bellamy
Born 9 June 1978 (1978-06-09) (age 32)
Cambridge, England
Genres Alternative rock
Progressive rock
New prog
Symphonic rock
Space rock
Progressive metal
Occupations Musician, songwriter, composer
Instruments Vocals, guitar, synth guitar, piano, organ, mandolin, harmonium, keytar, mellotron, CS1
Years active 1994–present
Labels Warner Bros., Mushroom Records
Associated acts Muse
Website muse.mu


Matthew James Bellamy (born 9 June 1978) is an English musician and composer, best known as the lead vocalist, guitarist, pianist, and main songwriter of the alternative rock band Muse.
Bellamy's father, George, was rhythm guitarist in the 1960s pop group The Tornados, who were the first British band to have a United States number one song, with "Telstar".[1] "Knights of Cydonia", a single from Muse's fourth album Black Holes and Revelations, is often cited as a tribute to that song, with its space rock sound and accompanying video depicting a cowboy's quest through a human landscape. Bellamy's mother, Marilyn, was born in Belfast, and moved to England in the 1970s. On her first day in England she met George, who was at the time working as a taxi driver in London. They later moved to Cambridge, where Matthew's older brother Paul was born, followed a couple of years later by Matthew himself. Bellamy started playing the piano at age 6 and guitar when he was 14.

In the mid-1980s, the family moved to Teignmouth, Devon. After the divorce of Bellamy's parents, he moved in with his grandmother, who pushed him towards learning to play the guitar at the age of fourteen.
Muse formed in Teignmouth, Devon in 1994 under the name of Rocket Baby Dolls. Still using the name Rocket Baby Dolls, they won the school's "Battle of the Bands" which led them to take the band seriously, and decided to change their name to a more "professional" one, Muse. The band consisted and still consists of Matthew Bellamy, Christopher Wolstenholme (bass guitar and backing vocals) and Dominic Howard (drums and percussion). Muse met at Teignmouth Community College where Bellamy had been in a number of bands previously including Carnage Mayhem and Gothic Plague with drummer Dominic Howard. When members of Gothic Plague left due to other interests, Bellamy and Howard asked Wolstenholme to join. Muse however struggled to establish themselves during their early years, but have since gone on to enjoy worldwide success.

Muse blend alternative, hard rock, progressive rock, classical music and electronica and are well known for their energetic and visually dazzling live performances. On 16–17 June 2007 Muse became the first band to sell out the newly built Wembley Stadium in London. Muse has released five studio albums, Showbiz (1999), Origin of Symmetry (2001), Absolution (2003), Black Holes and Revelations (2006) and The Resistance (2009). Muse have also released one live album, HAARP (2008) and two compilation albums. The first, Random 1-8 was only released in Japan and is a collection of B Sides from the Showbiz period. The second compilation Hullabaloo (2002) consisted of two discs and was designed to accompany the Hullabaloo DVD. The first disc contains a collection of B-sides recorded between March 1999 and October 2001. The second disc features 11 live songs recorded on 28–29 October 2001 at 'le Zenith' in Paris. Bellamy also makes an appearance as a playable character in Guitar Hero 5, which features the song "Plug in Baby", from Origin of Symmetry.

Knights of Cydonia

INTRO
-----
e|--------------|
B|------1-------|
G|-0----0----0--|
D|-2----2----2--|
A|-2----2----2--|
E|--------------|
Tremolo pick as fast as you can finishing off nice and loud.
e|-----------|
B|-----------|
G|-----------|
D|-----------|
A|-14/////---|
E|--------0--|
The slide progresses straight into the opening note of the the studio intro.
STUDIO INTRO
-----
Played distorted with wide vibrato on every note.
e|------------------|
B|------------------|
G|------------------|
D|------------------|
A|------------------|
E|-0---2-3--5-5--7--| x4
Played either clean or acoustic. This can be heard on the track
layered under the main guitar.
e|------------------------------------|
B|------------------------------------|
G|-------------------222---222---444--|
D|-222---444---555---222---222---444--|
A|-222---444---555---000---000---222--|
E|-000---222---333--------------------| x4
DUD DUD DUD DUD DUD DUD
This comes in over the 3rd repetition - All tremolo picking.
Played with a light overdrive.
e|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|----------------------------------------------|
A|-7p6h7--9p7h9--10-9h10--12--10--9h10p9--7--6--|
E|----------------------------------------------| x2
Tremolo pick as fast as you can finishing off nice and loud.
e|-----------|
B|-----------|
G|-----------|
D|--------2--|
A|-14/////2--|
E|--------0--|
Played with a heavy distortion or a fuzz effect, make sure every note is well
defined,
the tremolo arm is rocked back vigorously to achieve the correct sound, if you don't
have
tremolo system on your guitar then tremolo picking is a good substitute.
e--------------------------------------------------------|
B--------------------------------------------------------|
G--------------------------------------------------------|
D--------------------------------------------------------|
A-10--9-7-5--7-9-10--9-7-5--6--7-9-7--10-12-13--12-13-14-|
E--------------------------------------------------------|
e-------------------------------------------------------------|
B-------------------------------------------------------------|
G-------------------------------------------------------------|
D-------------------------------------------------------------|
A-18--15-10-17--18-17-15-13--17--15-13-15--13-11-13---1414-15-|
E-------------------------------------------------------------|
All tremolo picking. Aim for a cleaner tone with perhaps with a little reverb.
e|-11-10-8-6--8-10-11-10-8-6--7-8-10-8--11-13-14-13-14-15-|
B|--------------------------------------------------------|
G|--------------------------------------------------------|
D|--------------------------------------------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
e|-19-16----18-19-18-16-14--18-16-14-16--14-12-14--15--16-|
B|-------16-----------------------------------------------|
G|--------------------------------------------------------|
D|--------------------------------------------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
Played clean with delay. Try and make it sound off time, like it filters through from
else.
e|-----------------------------------|
B|-----------------------------------|
G|-----------------------------------|
D|-9-9-9-9-11-11-11-9-9-8h9p8-8h9p8--|
A|-----------------------------------|
E|-----------------------------------|
VERSE
-----
Listen to the track for the right timing.
Come Me Veins History
e|-4-----7-----------7--|
B|-4-----7-----9-----7--|
G|-4-----8-----9-----8--|
D|-6-----9-----9-----9--|
A|-6-----9-----7-----9--|
E|-4-----7-----------7--|
Show God Asleep Job
e|-------------3-----7--|
B|-8-----9-----3-----7--|
G|-8-----9-----4-----8--|
D|-8-----9-----5-----9--|
A|-6-----7-----5-----9--|
E|-------------3-----7--|
How Win Fools Kings
e|-7-----7---------8-----7--|
B|--8-----7-------8------8--|
G|---9-----8-----9-------7--|
D|-----------------------9--|
A|-----------------------10-|
E|--------------------------|
Don't Time Will Waste You
e|-7-----8-----7-----7-----7--|
B|-7-----8-----8-----7-----8--|
G|-8-----9-----7-----8-----9--|
D|-9-----10----9-----9-----9--|
A|-9-----10----10----9-----7--|
E|-7-----8-----------7--------|
BRIDGE
------
Played distorted with wide vibrato on every note.
e|------------------|
B|------------------|
G|------------------|
D|------------------|
A|------------------|
E|-0---2-3--5-5--7--| x4
Played either clean or acoustic. This can be heard on the track
layered under the main guitar.
e|------------------------------------|
B|------------------------------------|
G|-------------------222---222---444--|
D|-222---444---555---222---222---444--|
A|-222---444---555---000---000---222--|
E|-000---222---333--------------------| x4
DUD DUD DUD DUD DUD DUD
This comes in over the 3rd repetition - All tremolo picking.
Played with a light overdrive.
e|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|----------------------------------------------|
A|-7p6h7--9p7h9--10-9h10--12--10--9h10p9--7--6--|
E|----------------------------------------------| x2
Tremolo pick as fast as you can finishing off nice and loud.
e|-19/////---|
B|-----------|
G|-----------|
D|--------2--|
A|--------2--|
E|--------0--|
REFRAIN
-------
e|------| e|------| e|------| e|------| e|------| B|------| B|------| B|------| B|------| B|------------|
G|-9----| G|-7----| G|-6----| G|-9----| G|--9---| D|--9---| D|--9---| D|--7---| D|--9---| D|--9----------|
A|---7--| A|---9--| A|---8--| A|---7--| A|--7---| E|------| x8 E|------| x8 E|------| x8 E|------| x4 E|------| x10--|
PM ... PM ... PM ... PM ... PM .
BREAKDOWN
---------
e|----------------------------------------|
B|----------------------------------------|
G|----------------------------------------|
D|---------------------------------5------|
A|-5h7-7-7-5h7-7-7--5h7-7-7--5h7-7---7-5--|
E|----------------------------------------|
e|---------------------------------|
B|---------------------------------|
G|---------------------------------|
D|---------------------------------|
A|-5p2-2-2-5p2-2-2-5p2-2-2--5-7-7--|
E|---------------------------------|
e|---------------------------------|
B|---------------------------------|
G|---------------------------------|
D|---------------------------------|
A|-7p0-0-0-7p0-0-0-7p0-0-0--7-5-3--|
E|---------------------------------|
You can choose to play the harmonic 3* or just another open E (0).
e|---------------------|-------------------|
B|---------------------|-------------------|
G|---------------------|-------------------|
D|---------------------|-------------------|
A|---------------------|-------------------|
E|-3p0-0-3*-3p0-0-3*-3p0-0-3*-3p0-0-3-5-7--| x6
Played over the 4th repetition.
e|-12--7--3--10--9--7--5h7p5--3-|
B|------------------------------|
G|------------------------------|
D|------------------------------|
A|------------------------------|
E|------------------------------| x2
LIVE OUTRO SOLO
---------------
If you don't wish to play the live version just continue to the outro below.
e|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|----------------------------------------------|
A|-5h7-7-7-5h7-7-7-5h7-7-7-5h7-7-7-5h7-7-5h7-7--|
E|----------------------------------------------|
e|----------------------------------------------|
B|----------------------------------------------|
G|----------------------------------------------|
D|----------------------------------------------|
A|-7h9-9-9-7h9-9-9-7h9-9-9-7h9-9-9-7h9-9-7h9-9--|
E|----------------------------------------------|
e|--------------------------------------------------------------------|
B|--------------------------------------------------------------------|
G|--------------------------------------------------------------------|
D|--------------------------------------------------------------------|
A|-10h12-12-12-10h12-12-12-10h12-12-12-10h12-12-12-10h12-12-10h12-12--|
E|--------------------------------------------------------------------|
e|--------------------------------------------------------------------|
B|--------------------------------------------------------------------|
G|--------------------------------------------------------------------|
D|--------------------------------------------------------------------|
A|-12h14-14-14-12h14-14-14-12h14-14-14-12h14-14-14-12h14-14-12h14-14--|
E|--------------------------------------------------------------------|
e|------------------------------------------------------|
B|------------------------------------------------------|
G|------12h14-14b15r14-12----------12h14-14b15r14-12----|
D|-12h14-----------------14---12h14-----------------14--|
A|------------------------------------------------------|
E|------------------------------------------------------|
e|--------------------------------------------------------|
B|--------------------------------------------------------|
G|------12h14-14b15r14-12p11--------12h14-14b15r14-12p11--|
D|-12h14-----------------------12h14----------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
e|--------------------------------------------------------|
B|--------------------------------------------------------|
G|------12h14-14b15r14-12h14--------12h14-14b15r14-12p14--|
D|-12h14-----------------------12h14----------------------|
A|--------------------------------------------------------|
E|--------------------------------------------------------|
e|------------------------------------------------------------------|
B|--12-12-12-12-12-12
-15-15-15-15-15-17b-17b-17b-17b-17b-17b-----|
G|------------------------------------------------------------------|
D|------------------------------------------------------------------|
A|------------------------------------------------------------------|
E|------------------------------------------------------------15/3--|
OUTRO
-----
e|---------------------------------------|
B|---------------------------------------|
G|---------------------------------------|
D|---------------------------------------|
A|---------------------------------------|
E|-3p0-0-0--3p0-0-0--3p0-0-0--3p0-5-6-7--|
e|-----------------------------------------|
B|-----------------------------------------|
G|-----------------------------------------|
D|-----------------------------------------|
A|----------------------------5h7-7-5h7-7--|
E|-3p0-0-0--3p0-0-0--3p0-0-0---------------| x2
e|---|
B|---|
G|---|
D|---|
A|---|
E|-0-|

Keith Richards


Birth name Keith Richards
Also known as Keith Richard
Born 18 December 1943 (1943-12-18) (age 66)
Dartford, Kent, England
Genres Rhythm and blues, rock and roll, blues, rock, reggae, country
Occupations Musician, singer–songwriter, record producer, actor
Instruments Guitar, vocals, bass, keyboards
Years active 1962–present
Labels Decca, Rolling Stones, Virgin
Associated acts The Rolling Stones, The Dirty Mac, The New Barbarians, The X-Pensive Winos
Website keithrichards.com


Keith Richards (born 18 December 1943) is an English guitarist, songwriter, singer, record producer and a founding member of The Rolling Stones. As a guitarist, Richards is known for his innovative rhythm playing. In 2003 he ranked 10th on Rolling Stone magazine's "Rolling Stone's 100 Greatest Guitarists of All Time". With songwriting partner and Rolling Stones lead vocalist Mick Jagger, Richards has written and recorded hundreds of songs, fourteen of which are listed by Rolling Stone magazine among the "500 Greatest Songs of All Time".

Keith Richards, the only child of Bert Richards and Doris Dupree Richards, was born in Dartford, Kent. His father was a factory labourer who was slightly injured during World War II. The family was evacuated from their flat on Chastilian Road when it was hit by a Nazi V-1 flying bomb on 5 July 1944 (the flat was unoccupied at the time).

Richards's paternal grandparents were socialists and civic leaders.[4] His maternal grandfather (Augustus Theodore Dupree), who toured Britain in a jazz big band called Gus Dupree and his Boys, was an early influence on Richards's musical ambitions and got him interested in playing guitar.

Richards's mother introduced him to the music of Billie Holiday, Louis Armstrong and Duke Ellington, and bought him his first guitar, a Rosetti acoustic, for seven pounds. His father was less encouraging, telling his son to 'Stop that bloody noise.'" Richards's first guitar hero was Scotty Moore.

Richards attended Wentworth Primary School, as did Mick Jagger; the two knew each other as schoolboys, and lived in the same neighbourhood until 1954. That year the Richards family moved to what Richards has described as "a fucking soul-destroying council estate at completely the other end of town" that looked like "a disgusting concrete jungle". The move was disorienting for the young Richards, as was his transfer a year later to Dartford Technical School (now and split into two schools named Wilmington Grammar School for Boys and Wilmington Enterprise College), which he attended from 1955 to 1959. The Dartford Tech choirmaster Jake Clair noticed Richards's singing voice and recruited him into the school choir. In a trio of boy sopranos Richards sang (among other performances) at Westminster Abbey in front of Queen Elizabeth II.

In 1959, Richards was expelled from Dartford Technical School for truancy, and the headmaster suggested he would be more at home at the art college in the neighbouring town of Sidcup. At Sidcup Art College Richards devoted his time to playing guitar after he heard American blues artists like Little Walter and Big Bill Broonzy. He swapped a pile of records for his first electric guitar, a hollow-body Höfner cutaway. Fellow Sidcup student and future musical colleague Dick Taylor recalls, "There was a lot of music being played at Sidcup, and we'd go into the empty classrooms and fool around with our guitars. ... Even in those days Keith could play most of [Chuck Berry's] solos." Taylor also remembers Richards experimenting with various drugs at Sidcup: "In order to stay up late with our music and still get to Sidcup in the morning, Keith and I were on a pretty steady diet of pep pills, which not only kept us awake but gave us a lift. We took all kinds of things – pills that girls took for menstruation, inhalers like Nostrilene, and other stuff. Opposite the college there was this little park with an aviary that had a cockatoo in it. Cocky the Cockatoo we used to call it. Keith used to feed it pep pills and make it stagger around on its perch. If ever we were feeling bored we'd go and give another upper to Cocky."
Richards, 1965 Photo: Kevin Delaney

One morning in 1961, on the train journey from Dartford to Sidcup, Richards happened to get into the same carriage as Mick Jagger, who was then a student at the London School of Economics. They recognized each other and began talking about the LPs Jagger had with him – blues and rhythm & blues albums he had acquired by mail-order from America. Richards was surprised and impressed that Jagger not only shared his enthusiasm for Chuck Berry and Muddy Waters but also that he owned such LPs which were extremely rare in Britain at the time. The two discovered that they had a mutual friend in Dick Taylor, with whom Jagger was singing in an amateur band called Little Boy Blue and the Blue Boys. Jagger invited Richards to a rehearsal and soon afterwards Richards also joined the line-up. The group disbanded after Jagger, Richards and Taylor met Brian Jones and Ian Stewart, with whom they went on to form The Rolling Stones (Taylor left the band in November 1962 to return to art school).

By mid-1962 Richards had left Sidcup Art College in favour of pursuing his fledgling musical career and moved into a London flat with Jagger and Jones. His parents divorced about the same time. Richards maintained close ties with his mother, who was very supportive of his musical activities, but he became estranged from his father and did not resume contact with him until 1982.

In 1963 Richards dropped the "s" from his surname and began using the professional name "Keith Richard", because Rolling Stones manager Andrew Loog Oldham felt it "looked more pop". (He used the s-less version as his pen name and stage name until the late 1970s.)

Cocaine Blues tab by Keith Richards

Intro

|--3--------3-----------3--|-----------0--------------|
|-----1-----------1--------|-----1-----------3--------|
|--------------------------|--------------------------|
|--------2-----------2-----|--------2-----------2-----|
|--3-----------3-----------|--3-----------3-----------|
|--------------------------|-----------------------0--|

--------------------------|------------------------------|
-----1-----3-----------1--|-----3----------3----------1--|
--------2--------2--------|-------------2-------2--------|
--------3-----------3-----|----------0-------------------|
--------------------------|------------------------3-----|
--1-----------1-----------|--1---------------------------|

-----------3--------------|--------------------------|
-----1-----------1--------|-----1-----1--------------|
-----------------------0--|-----------------0-----0--|
--------2-----------2-----|--------2-----------0-----|
--3-----------3-----------|--3-----------------------|
--------------------------|--------------3-----------|

-------------------------|--------------------------|
-----1-----------0-------|-----1-----------1--------|
-----------0-------------|-----------0-----------0--|
--------2-----------0----|--------2-----------2-----|
--3----------------------|--3-----------------------|
--------------3----------|--------------3-----------|

Verse 1 (Play twice)

-----3-----------3--------|-----3-----------3-------|
-----------1-----------1--|-----------1-------------|
--------------------------|--------0-----------0----|
--------2-----------2-----|-------------------------|
--3-----------3-----------|--3-----------3----------|
--------------------------|-------------------------|

--------------------------|------------------------------|
-----1-----1-----1-----1--|-----3-------1-----3-------1--|
--------------------------|------------------------------|
--------3-----------3-----|----------0-------------0-----|
--------------------------|----------------3-------------|
--1-----------1-----------|--1---------------------------|

-----------3-----------3--|--------------------------|
--------------------------|-----1-----1-----0-----0--|
-----0-----------0--------|--------------------------|
--------2-----------2-----|--------2-----------0-----|
--3-----------------------|--------------------------|
--------------3-----------|--3-----------3-----------|

--------------------------|-----------------------3--|
-----1-----------1--------|-----1-----------1--------|
-----------0-----------0--|-----------0--------------|
--------2-----------0-----|--------2-----------2-----|
--3-----------------------|--3-----------3-----------|
--------------3-----------|--------------------------|

Bridge

-----0-----0--------------|-----0-----------0--------|
-----------------0-----0--|-----------0-----------0--|
--------------------------|--------------------------|
--------2-----------2-----|--------2-----------0-----|
--------------------------|--------------------------|
--0-----------0-----------|--0-----------0-----------|

-------------------------|----------------------------|
--------1-------1-----1--|-----1-----1-----3-------1--|
-----2-------------------|----------------------------|
--------3----------------|----------------------0-----|
-------------------3-----|--3-----------3-------------|
--1----------1-----------|--------1-------------------|

-----------3-----------3--|--------------------------|
--------------------------|-----1-----1-----0-----0--|
-----0-----------0--------|--------------------------|
--------2-----------2-----|--------2-----------0-----|
--3-----------------------|--------------------------|
--------------3-----------|--3-----------3-----------|

--------------------------|-----------------------3--|
-----1-----------1--------|-----1-----------1--------|
-----------0-----------0--|-----------0--------------|
--------2-----------0-----|--------2-----------2-----|
--3-----------------------|--3-----------3-----------|
--------------3-----------|--------------------------|

Instrumental

--3--------3-----------3--|-----------0--------------|
-----1-----------1--------|-----1-----------3--------|
--------------------------|--------------------------|
--------2-----------2-----|--------2-----------2-----|
--3-----------3-----------|--3-----------3-----------|
--------------------------|-----------------------0--|

--------------------------|--------------------------|
-----1-----3-----------1--|--1--1--3--4--5-----0-----|
--------2--------2--------|-----------------5-----2--|
--------3-----------3-----|--------3-----------0-----|
--------------------------|--------------------------|
--1-----------1-----------|--1-----------3-----------|

(second inst goes to end at this point)
-----------3-----------3--|--------------------------|
--------------------------|-----1-----1-----0-----0--|
-----0-----------0--------|--------------------------|
--------2-----------2-----|--------2-----------0-----|
--3-----------------------|--------------------------|
--------------3-----------|--3-----------3-----------|

--------------------------|-----------------------3--|
-----1-----------1--------|-----1-----------1--------|
-----------0-----------0--|-----------0--------------|
--------2-----------0-----|--------2-----------2-----|
--3-----------------------|--3-----------3-----------|
--------------3-----------|--------------------------|


End (played slower)
-----------3-----------|--------------------|
-----------------------|--------------------|
-----0-----------------|--------------------|
--------2--------------|--------------------|
--3--------------------|-----------3--------|
-----------------------|--3-----------------|
.
--3--------0-----------|--0-----------------|
-----1-----------------|--1-----------------|
-----------------------|--0-----------------|
--------2--------------|--2-----------------|
--3--------------------|--3-----------------|
-----------------------|--------------------|